BRONNIE CUNNINGHAM (1932-2018) - PIECED SILK TEXTILES
Bronnie and her husband Sandy, a painter and printmaker, moved to Treve Cottage in 1961 from London. During this period Bronnie was writing and compiling books including The Piccolo Book of Riddles, Funny Business, Cunningham’s Little Red Record Book and The Puffin Joke Book.
In 1995 she founded The Tree Show with her son Euan and his partner Sally Cutler.
At that time she was already a member of the Sussex Guild of Craftsmen designing, making and selling her pieced silk creations.
The work on show reflects her love for colour and geometric shapes. Her work table would always be full of circles. quadrants and triangles all cut out in luxurious colours and materials. The next stage, she particularly enjoyed, placing these shapes together and the endless possibilities that this created.
Since 1995 the show has grown organically through friends and local artists and since Bronnie's death in 2018 we are hoping to continue that spirit that was created all those years ago.
Bronnie and her husband Sandy, a painter and printmaker, moved to Treve Cottage in 1961 from London. During this period Bronnie was writing and compiling books including The Piccolo Book of Riddles, Funny Business, Cunningham’s Little Red Record Book and The Puffin Joke Book.
In 1995 she founded The Tree Show with her son Euan and his partner Sally Cutler.
At that time she was already a member of the Sussex Guild of Craftsmen designing, making and selling her pieced silk creations.
The work on show reflects her love for colour and geometric shapes. Her work table would always be full of circles. quadrants and triangles all cut out in luxurious colours and materials. The next stage, she particularly enjoyed, placing these shapes together and the endless possibilities that this created.
Since 1995 the show has grown organically through friends and local artists and since Bronnie's death in 2018 we are hoping to continue that spirit that was created all those years ago.
EUAN CUNNINGHAM - INK DRAWINGS, SCULPTURE and PAINTING
These works for sale are brand new and have been completed during the lockdown. I have enjoyed experimenting with paint, layering colours and then scraping and carving through the surface revealing what is underneath. I like
the idea of revealing colours through the layers which become blended as I
carve into them. I also like the idea of revealing colours that in some way relate to the subject and its history.
My other work includes drawing and sculpture. Last year I won a bursary to complete two new sculptural works for Fresh Air Art.
I have also recently completed a collaged image as a commission for the Tate, to produce an image of Tate Modern as a poster for their website.
I enjoy working in different mediums and find each practice can spark ideas off
in unexpected ways.
These works for sale are brand new and have been completed during the lockdown. I have enjoyed experimenting with paint, layering colours and then scraping and carving through the surface revealing what is underneath. I like
the idea of revealing colours through the layers which become blended as I
carve into them. I also like the idea of revealing colours that in some way relate to the subject and its history.
My other work includes drawing and sculpture. Last year I won a bursary to complete two new sculptural works for Fresh Air Art.
I have also recently completed a collaged image as a commission for the Tate, to produce an image of Tate Modern as a poster for their website.
I enjoy working in different mediums and find each practice can spark ideas off
in unexpected ways.
SALLY CUTLER - PRINTMAKING
Sally studied illustration and printmaking at Liverpool Art School, and graduated in 1991. She mainly works in linocut which she often incorporates with collage, painting, multiblock printing and hand printed lead type.
Over the past year she has been producing collographs inspired by nature and using recycled materials to construct them. She has enjoyed working with bold blocks of colour and exploring a more abstracted style letting the materials and her inner emotions and thoughts inform the subject matter.
Her latest work ‘Beneath the Evening Sun Nature Watches’ has just won The International Mini Print de Cadaques, Spain 2020 and this work and 30 newly created collographs are touring during 2021 throughout Spain, France and the U.K.
Selected Exhibitions include: The Royal Society of Portrait Painters, The Royal Academy Summer Exhibition. Society of Wood Engravers, British International Mini Print, The John Ruskin Prize (shortlisted) at Trinity Buoy Wharf, London, CowParade London and New Art Gallery Walsall.
Sally teaches printmaking and drawing throughout London. She worked predominantly for Dulwich Picture Gallery as one of their artist tutors for 17 years. She has also been artist in residence at numerous museums, art galleries and several schools in London and two special needs centres in Buckinghamshire and runs The Art Club in London (est. 2015) an art school for children.
Sally studied illustration and printmaking at Liverpool Art School, and graduated in 1991. She mainly works in linocut which she often incorporates with collage, painting, multiblock printing and hand printed lead type.
Over the past year she has been producing collographs inspired by nature and using recycled materials to construct them. She has enjoyed working with bold blocks of colour and exploring a more abstracted style letting the materials and her inner emotions and thoughts inform the subject matter.
Her latest work ‘Beneath the Evening Sun Nature Watches’ has just won The International Mini Print de Cadaques, Spain 2020 and this work and 30 newly created collographs are touring during 2021 throughout Spain, France and the U.K.
Selected Exhibitions include: The Royal Society of Portrait Painters, The Royal Academy Summer Exhibition. Society of Wood Engravers, British International Mini Print, The John Ruskin Prize (shortlisted) at Trinity Buoy Wharf, London, CowParade London and New Art Gallery Walsall.
Sally teaches printmaking and drawing throughout London. She worked predominantly for Dulwich Picture Gallery as one of their artist tutors for 17 years. She has also been artist in residence at numerous museums, art galleries and several schools in London and two special needs centres in Buckinghamshire and runs The Art Club in London (est. 2015) an art school for children.
FELIX CUNNINGHAM - HAND PRINTED LINOCUT TEXTILES
Felix’s debut linocut “Rabbit Submarine" was shortlisted for The Royal Academy Young Artist's Summer Show 2019. In 2020 he created a
new linocut titled ‘Jump for Joy’ which he hand printed onto t-shirts.
Felix enjoys working in linocut because in his words “It lets you be creative and imaginative. The carving is very satisfying and the printed result after all the hard work is magical’.
This year Felix has created delicate handmade bowls from homemade paper clay using gentle colours and abstract pattern designs.
Felix has been one of the Treve Exhibiting artists since 2016.
Felix attends The Art Club, London and has just finished his second year at secondary school.
Felix’s debut linocut “Rabbit Submarine" was shortlisted for The Royal Academy Young Artist's Summer Show 2019. In 2020 he created a
new linocut titled ‘Jump for Joy’ which he hand printed onto t-shirts.
Felix enjoys working in linocut because in his words “It lets you be creative and imaginative. The carving is very satisfying and the printed result after all the hard work is magical’.
This year Felix has created delicate handmade bowls from homemade paper clay using gentle colours and abstract pattern designs.
Felix has been one of the Treve Exhibiting artists since 2016.
Felix attends The Art Club, London and has just finished his second year at secondary school.
DERYN O'CONNOR (1930-2018) - WATERCOLOUR PAINTINGS
Deryn O’Connor is the elder sister of Treve Founder Bronnie Cunningham.
After leaving Oxford, where Deryn studied for a degree in PPE, she gained a distinction in pottery at the Bath School of Art in 1959.
This led her onto lecturing in art at Homerton College in Cambridge, which in turn brought her to Farnham Art College in 1968 where textiles became her passion.
Deryn was Principal lecturer on the BA[Hons] Textile course.
In her retirement she made numerous trips to China researching textiles for a
number of books and publications that she contributed to.
Deryn’s watercolour paintings were made over many years on her frequent trips to Norfolk, and other travels. She also made many delicate still life studies of flowers and fruits. All these she created in between her teaching and lecturing at Farnham and research trips around the globe.
Deryn O’Connor is the elder sister of Treve Founder Bronnie Cunningham.
After leaving Oxford, where Deryn studied for a degree in PPE, she gained a distinction in pottery at the Bath School of Art in 1959.
This led her onto lecturing in art at Homerton College in Cambridge, which in turn brought her to Farnham Art College in 1968 where textiles became her passion.
Deryn was Principal lecturer on the BA[Hons] Textile course.
In her retirement she made numerous trips to China researching textiles for a
number of books and publications that she contributed to.
Deryn’s watercolour paintings were made over many years on her frequent trips to Norfolk, and other travels. She also made many delicate still life studies of flowers and fruits. All these she created in between her teaching and lecturing at Farnham and research trips around the globe.
GILL HUNTER NUDDS - CERAMICS
I have been working with clay for almost 25 years having discovered my love for it whilst completing a 3-Dimensional Art and Design Diploma back in the 1990’s. I have exhibited as a guest artist at the Trojan House part of the Brighton Artists Open Houses Art trail, for 19 years and I also open my own studio as part of the Chichester Art Trail. I’m a member of the Southern Ceramic Group exhibiting in their summer exhibition at the Bishop’s Kitchen, Chichester Cathedral and in their winter exhibition at the Winchester Discovery Centre.
I produce hand built sculptural pieces inspired by wild beasts and birds and the beauty of wild places. My local landscape of woodlands, rivers and wild meadows are rich in wildlife and offer me opportunities for connecting with nature. Each animal, bird or beast is hand built and unique. As a ceramic artist I have always enjoyed the sculptural potential of clay over its functional application.
I use a variety of clays which are layered and often textured with the impression of wild plants. My recent work also explores animals that are directly impacted by global warming and the devastation of natural environments; polar bears are a reoccurring theme. My work is created as a direct response to nature, it is simple and earthy like the humble clay from which each piece begins.
I have been working with clay for almost 25 years having discovered my love for it whilst completing a 3-Dimensional Art and Design Diploma back in the 1990’s. I have exhibited as a guest artist at the Trojan House part of the Brighton Artists Open Houses Art trail, for 19 years and I also open my own studio as part of the Chichester Art Trail. I’m a member of the Southern Ceramic Group exhibiting in their summer exhibition at the Bishop’s Kitchen, Chichester Cathedral and in their winter exhibition at the Winchester Discovery Centre.
I produce hand built sculptural pieces inspired by wild beasts and birds and the beauty of wild places. My local landscape of woodlands, rivers and wild meadows are rich in wildlife and offer me opportunities for connecting with nature. Each animal, bird or beast is hand built and unique. As a ceramic artist I have always enjoyed the sculptural potential of clay over its functional application.
I use a variety of clays which are layered and often textured with the impression of wild plants. My recent work also explores animals that are directly impacted by global warming and the devastation of natural environments; polar bears are a reoccurring theme. My work is created as a direct response to nature, it is simple and earthy like the humble clay from which each piece begins.
IAN MOORE - ACRYLIC PAINTINGS
Ian studied graphic design at Bournemouth & Poole College of Art and Design. In 1990, on completion of his studies he had work accepted in four major national illustration competitions. Over the next thirteen years he worked as a freelance illustrator commissioned by various publications including Elle, Vogue, New Internationalist, The Telegraph and Financial Times. His illustrations have featured in many design projects, international advertising campaigns, record and book covers,
Ian has exhibited his paintings widely in solo and group shows in London, Buckinghamshire, and galleries around the UK.
Ian studied graphic design at Bournemouth & Poole College of Art and Design. In 1990, on completion of his studies he had work accepted in four major national illustration competitions. Over the next thirteen years he worked as a freelance illustrator commissioned by various publications including Elle, Vogue, New Internationalist, The Telegraph and Financial Times. His illustrations have featured in many design projects, international advertising campaigns, record and book covers,
Ian has exhibited his paintings widely in solo and group shows in London, Buckinghamshire, and galleries around the UK.
KAREN GRIMSTEAD - GLASS
I am a contemporary abstract artist, with a background in Interior Design, who works from studios in both England UK, and Perth in Western Australia. This geographical division of hemispheres and the frequent travelling en-route, is often reflected in my art's compositional design and aerial perspective. My work is an emotional response to what I am seeing, remembering and imagining; looking beneath and beyond the representational, to re-interpret it using dynamic, loose, brushwork; expressive mark-making; texture and colour, layer upon layer. I enjoy leading the eye on a journey of discovery, and I aim for this when I am working in acrylic and oils on canvas, so I often include natural fibres, silver leaf, or collage inclusions. I have a similar approach when working with CO90 Glass, for fusing and sculpting in my kilns.
I exhibit internationally and my work is in private collections in Abu Dhabi, London UK, and Australia. My Commissions are often for clients who want me to create an abstract painting on canvas, to harmonise with a customised piece of sculptural glass of their specific dimensions. Whether I am working on canvas or glass, it is the creative, unique, process which continues to captivate me.
I am a contemporary abstract artist, with a background in Interior Design, who works from studios in both England UK, and Perth in Western Australia. This geographical division of hemispheres and the frequent travelling en-route, is often reflected in my art's compositional design and aerial perspective. My work is an emotional response to what I am seeing, remembering and imagining; looking beneath and beyond the representational, to re-interpret it using dynamic, loose, brushwork; expressive mark-making; texture and colour, layer upon layer. I enjoy leading the eye on a journey of discovery, and I aim for this when I am working in acrylic and oils on canvas, so I often include natural fibres, silver leaf, or collage inclusions. I have a similar approach when working with CO90 Glass, for fusing and sculpting in my kilns.
I exhibit internationally and my work is in private collections in Abu Dhabi, London UK, and Australia. My Commissions are often for clients who want me to create an abstract painting on canvas, to harmonise with a customised piece of sculptural glass of their specific dimensions. Whether I am working on canvas or glass, it is the creative, unique, process which continues to captivate me.
LINDA MILLS - WILLOW
Linda has lived in Hampshire since 1973 and been working with willow since 2004. Having initially attended a taster day at West Dean College near Chichester to make some willow platters and thoroughly enjoying it, she decided she wanted to learn more and booked the next course immediately. After attending various day and week long courses with a selection of tutors making frame baskets, bird and animal sculptures and Christmas trees, I moved on to learning to make traditional baskets as most people recognise them. I started selling in 2009 and have been a full time basket maker and willow sculptor since 2013 creating both functional and artistic designs.
All the baskets are made using traditional methods but the more contemporary designs include other items such as shotgun cartridges or shells. The willow used is grown in Somerset, Hampshire and Dorset. I have had work in galleries in the past including The Riverside Gallery, Barnes and The creative Gallery, Wareham but now teach at the Weald & Downland Living Museum and sell at various venues around the South of England see my web site for further details.
Animals and birds are made with reference to photographs and personal observation, if kept indoors they will last indefinitely. Outside the weather will cause deterioration first by bleaching in sunlight then the action of rain and frost will start to break them down after 4 to 5 years, this may be slightly prolonged by allowing them to dry out in the autumn and storing them in a frost proof place for the winter.
Linda has lived in Hampshire since 1973 and been working with willow since 2004. Having initially attended a taster day at West Dean College near Chichester to make some willow platters and thoroughly enjoying it, she decided she wanted to learn more and booked the next course immediately. After attending various day and week long courses with a selection of tutors making frame baskets, bird and animal sculptures and Christmas trees, I moved on to learning to make traditional baskets as most people recognise them. I started selling in 2009 and have been a full time basket maker and willow sculptor since 2013 creating both functional and artistic designs.
All the baskets are made using traditional methods but the more contemporary designs include other items such as shotgun cartridges or shells. The willow used is grown in Somerset, Hampshire and Dorset. I have had work in galleries in the past including The Riverside Gallery, Barnes and The creative Gallery, Wareham but now teach at the Weald & Downland Living Museum and sell at various venues around the South of England see my web site for further details.
Animals and birds are made with reference to photographs and personal observation, if kept indoors they will last indefinitely. Outside the weather will cause deterioration first by bleaching in sunlight then the action of rain and frost will start to break them down after 4 to 5 years, this may be slightly prolonged by allowing them to dry out in the autumn and storing them in a frost proof place for the winter.
MICK WATERHOUSE - WOOD CARVER and SCULPTOR
A close connection with trees and the land in my youth and an enduring love of the Green Man and medieval imagery has inspired my work during 30 years as woodcarver and sculptor.
During this time I have exhibited my work annually at Open Studio events in Oxfordshire and Buckinghamshire and at numerous exhibitions, including the Barbican Centre, Bucks County Museum, and Cecil Higgins Museum.
I have also taught Wood Carving and helped run the Bicester Sculpture Group during my career.
I have been commissioned to produce landscapes, bespoke memorials, lettering and one off engineering patterns.
My favourite works are those that come from myself and my interests and are produced from English timbers, in the tooled finish that has become my style.
A close connection with trees and the land in my youth and an enduring love of the Green Man and medieval imagery has inspired my work during 30 years as woodcarver and sculptor.
During this time I have exhibited my work annually at Open Studio events in Oxfordshire and Buckinghamshire and at numerous exhibitions, including the Barbican Centre, Bucks County Museum, and Cecil Higgins Museum.
I have also taught Wood Carving and helped run the Bicester Sculpture Group during my career.
I have been commissioned to produce landscapes, bespoke memorials, lettering and one off engineering patterns.
My favourite works are those that come from myself and my interests and are produced from English timbers, in the tooled finish that has become my style.
MIGNON WOODFIELD - CERAMICS
Mignon Woodfield is a ceramist living and working in Oxford. She makes hand-built stained earthenware jugs with inlaid and painted abstract designs inspired by Nature.
She has a BA in Ceramics from the Central School of Art and Design and is a member of the Society of Designer Craftsmen. Notable exhibitions include at The Circle Gallery (Glasgow) Centrespace (Bristol), Clarendon Cross Gallery (London) and Rabley Drawing Barn (Wiltshire).
Mignon Woodfield is a ceramist living and working in Oxford. She makes hand-built stained earthenware jugs with inlaid and painted abstract designs inspired by Nature.
She has a BA in Ceramics from the Central School of Art and Design and is a member of the Society of Designer Craftsmen. Notable exhibitions include at The Circle Gallery (Glasgow) Centrespace (Bristol), Clarendon Cross Gallery (London) and Rabley Drawing Barn (Wiltshire).
ROS HITCHENS - WEAVING
I like the feel of all the materials – especially the wool , which I also spin – the setting up and preparation of the loom process --- long and exacting.
The weaving process seems to be a bit intuitive as I go along – having had a basic idea. I like to let the colours and shapes dictate the rug I am working on, as you never see the whole until the finish – so a lot of intuition and feel. Maybe a bit loose in conception – that is my way! – but there is usually a subject matter, perhaps something inspired by written words portraying a feeling.
Hence the titles.
I have always woven in some form and spun wool.
I spent 1 year on a Tapestry Diploma Course at West Dean college – 20yrs ago , and afterwards exhibiting in Budapest and in England–but have returned to weaving on a 1930’s loom – made by George Maxwell – using the tapestry way of inserting the wool mostly by hand rather than by a shuttle.
I like the feel of all the materials – especially the wool , which I also spin – the setting up and preparation of the loom process --- long and exacting.
The weaving process seems to be a bit intuitive as I go along – having had a basic idea. I like to let the colours and shapes dictate the rug I am working on, as you never see the whole until the finish – so a lot of intuition and feel. Maybe a bit loose in conception – that is my way! – but there is usually a subject matter, perhaps something inspired by written words portraying a feeling.
Hence the titles.
I have always woven in some form and spun wool.
I spent 1 year on a Tapestry Diploma Course at West Dean college – 20yrs ago , and afterwards exhibiting in Budapest and in England–but have returned to weaving on a 1930’s loom – made by George Maxwell – using the tapestry way of inserting the wool mostly by hand rather than by a shuttle.
ROSAMUND FOWLER - WOOD ENGRAVER
I trained at Edinburgh College of Art and graduated with a degree in Illustration and Graphic Design. Following graduation I worked for over 25 years as a freelance illustrator, working mainly in watercolours. After a short spell of exploring large scale oil painting, I concentrated on wood engraving and printmaking and this is now my main discipline.
Wood engraving is a long-established relief print method. After drawing my design on a specially prepared wood block, I carefully engrave it using traditional tools. The block is then inked and printed by hand using either my vintage Farley press, or my antique (19th century) Albion press. All the prints I sell, including my cards, are hand printed from the original block and therefore each image is unique.
I have been selected for and exhibited wood engraving prints 3 times in the Royal Academy Summer Exhibition. I am an elected member of The Society of Wood Engravers and exhibit with them. I am also a member of The Sussex Guild and have work for sale in their Lewes shop. Further work can be found on my website rosamundfowler.co.uk.
I trained at Edinburgh College of Art and graduated with a degree in Illustration and Graphic Design. Following graduation I worked for over 25 years as a freelance illustrator, working mainly in watercolours. After a short spell of exploring large scale oil painting, I concentrated on wood engraving and printmaking and this is now my main discipline.
Wood engraving is a long-established relief print method. After drawing my design on a specially prepared wood block, I carefully engrave it using traditional tools. The block is then inked and printed by hand using either my vintage Farley press, or my antique (19th century) Albion press. All the prints I sell, including my cards, are hand printed from the original block and therefore each image is unique.
I have been selected for and exhibited wood engraving prints 3 times in the Royal Academy Summer Exhibition. I am an elected member of The Society of Wood Engravers and exhibit with them. I am also a member of The Sussex Guild and have work for sale in their Lewes shop. Further work can be found on my website rosamundfowler.co.uk.
SOPHY WHITE - CERAMICS
I am a UK based potter - living, working and creating from my studio in beautiful Somerset. I studied art at Dartington Hall in Devon. I have created through out my life. I began my artistic journey with oil paints then moved to hand made earth paint and I am now exploring the medium of earth through clay.
Horses are my main creative inspiration. They have always appeared in my painting, drawing and ceramics. I’ve followed the thread of horses all my life.
I work with very simple images from a tribal past, when rock art was all we had between us and the wolf. The Animal Icons which inspire my work – horses, deer, foxes, ravens - are woven into our folklore, and our collective unconscious.
I am a UK based potter - living, working and creating from my studio in beautiful Somerset. I studied art at Dartington Hall in Devon. I have created through out my life. I began my artistic journey with oil paints then moved to hand made earth paint and I am now exploring the medium of earth through clay.
Horses are my main creative inspiration. They have always appeared in my painting, drawing and ceramics. I’ve followed the thread of horses all my life.
I work with very simple images from a tribal past, when rock art was all we had between us and the wolf. The Animal Icons which inspire my work – horses, deer, foxes, ravens - are woven into our folklore, and our collective unconscious.
WENDY FARLEY - CERAMICS
I am a ceramic artist working from my studio in West Sussex. I trained, many years ago, at West Surrey College of Art and Design, Farnham and Goldsmiths, London.
My work is handbuilt, using both coiling and slab building techniques. My inspiration comes from everything I see but particularly from the coast, nature and ethnographical art and craft. I have always been interested in simplicity and purity of form using smoke firing as a technique to enhance shape. More recently I have been using a more painterly approach using oxides, underglazes and slips.
I am a selected member of The Sussex Guild of Craftsmen.
I sell my work through galleries, shows and exhibitions.
I am a ceramic artist working from my studio in West Sussex. I trained, many years ago, at West Surrey College of Art and Design, Farnham and Goldsmiths, London.
My work is handbuilt, using both coiling and slab building techniques. My inspiration comes from everything I see but particularly from the coast, nature and ethnographical art and craft. I have always been interested in simplicity and purity of form using smoke firing as a technique to enhance shape. More recently I have been using a more painterly approach using oxides, underglazes and slips.
I am a selected member of The Sussex Guild of Craftsmen.
I sell my work through galleries, shows and exhibitions.
BAMBOO BEE - BEE HOTELS
The loss of habitat is a problem for British bees with 97% of grasslands lost in the past 60 years.
One solution is creating attractive bee hotels and encouraging solitary bees into your garden.
You will be providing a habitat and helping these hundreds of different pollinators.
All made by hand in West Sussex, all products reused and recycled.
All hotels come with a free packet of Wild Flower Seeds
50% of all proceeds will be donated to a local bee charity
The loss of habitat is a problem for British bees with 97% of grasslands lost in the past 60 years.
One solution is creating attractive bee hotels and encouraging solitary bees into your garden.
You will be providing a habitat and helping these hundreds of different pollinators.
All made by hand in West Sussex, all products reused and recycled.
All hotels come with a free packet of Wild Flower Seeds
50% of all proceeds will be donated to a local bee charity
ELIZABETH SPIRO - ETCHING and PAINTING
Elizabeth was born in London in 1942. She studied at St. Martins School of Art in the early 1960s. She earned her living as an economist for many years, but now concentrates on painting and printmaking. She attends Putney School of Art and Design for etching and lithography. Her works are mostly landscapes, painted or sketched around her home in Wandsworth Common, her small cottage in Upperton, West Sussex, or on her frequent travels. Her work has been exhibited, in group shows or alone, in London, Sussex, Germany, Poland and the USA.
“During Lockdown I have enjoyed finishing paintings from past travels, and drawing my elderly cat, Mimi.”
Elizabeth was born in London in 1942. She studied at St. Martins School of Art in the early 1960s. She earned her living as an economist for many years, but now concentrates on painting and printmaking. She attends Putney School of Art and Design for etching and lithography. Her works are mostly landscapes, painted or sketched around her home in Wandsworth Common, her small cottage in Upperton, West Sussex, or on her frequent travels. Her work has been exhibited, in group shows or alone, in London, Sussex, Germany, Poland and the USA.
“During Lockdown I have enjoyed finishing paintings from past travels, and drawing my elderly cat, Mimi.”
